EXHIBITION///////SANTA MONICA



SANTA MONICA MUSEUM OF ART:::::::::DARK PLACES

from January 21 to April 22 006



display prototype servo, Courtesy Servo.

christian jankowski 16mm Mystery, Courtesy christian jankowski




Curated by the NY based Art and Architectural Critic Joshua Decter (remmenber Transmute at the Museum of Contemporary Art Chicago) and design by Servo the architecture & design office based in Los Angeles, Dark Places with several artist and group's installations will propose various visions about the relations and the connections between memory public and social spaces as enigmatic and emblematic laces in 'our urban and suburban worlds'.
New Territories, mapping, cartography, surveillance, interactivity, etc.
Dark Places



Participants:
Acconci Studio Franz Ackermann Francis Alÿs Michael Ashkin Jaime Ávila Ferrer Dennis Balk Matthew Barney Judith Barry Thomas Bayrle Julie Becker Douglas Blau Monica Bonvicini Daniel Bozhkov Mark Bradford Miguel Rio Branco Troy Brauntuch Candice Breitz François Bucher Sophie Calle Eduardo Consuegra Jordan Crandall Teddy Cruz Jonas Dahlberg Stephen Dean Anne Deleporte Diller + Scofidio Sam Durant Anna Gaskell Douglas Gordon gruppo A12 Fariba Hajamadi Pablo Helguera Noritoshi Hirakawa Julian Hoeber Emily Jacir Christian Jankowski Vincent Johnson Mitchell Kane Joachim Koester Glenn Ligon Dorit Margreiter Fiorenza Menini John Miller Muntadas Paul Myoda Yoshua Okon Catherine Opie Lucy Orta Hirsch Perlman Raymond Pettibon Richard Phillips Richard Prince Raqs Media Collective Alexis Rockman Julian Rosefeldt Aura Rosenberg Peter Rostovsky Sam Samore Paige Sarlin Julia Scher Gregor Schneider Allan Sekula Andres Serrano Nedko Solakov Doron Solomons Wolfgang Staehle Javier Téllez Anton Vidokle Eyal Weizman/Nadav Harel James Welling Wim Wenders Judi Werthein Charlie WhiteMåns Wrange Jody Zellen Heimo Zobernig



Publication :
essay by exhibition curator Joshua Decter and a statement of purpose by servo partner David Erdman.
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MAGAZINE:::::::::::: PARACHUTE

³How should the interface between cognition and consciousness, or between perception and mind, be called? This, our second issue devoted to theextra-human and cognitive spheres, explores such territory of thought, whichremains largely uncharted (see PARACHUTE 119 X human ­ AI).What are the reasons for this contemporary turn towards the discovery ofphenomena related to being and the consciousness of the world? How is one tonegotiate a place or a territory for the self in this techno-bio invasion?How does the present experience of the world enrich the consciousness ofself, the consciousness of the other, and the world in which we exist? How,on the other hand, is one to struggle against the annihilation of the selfwhich this sensory and cognitive tidal wave occasionally imposes?² (exerpt from Chantal Pontbriand¹s editorial)

Summary

extra human csŠ experience

_by Chantal Pontbriand

Peter Campus The Body in View _by Jacinto Lageira

Carsten HollerVertigo \\ the Kairos in the Work _by Chantal Pontbriand

Atau Tanaka Live Bodies, or the Eloquence of the Gesture _by Louise Provencher

Sensorium: New Media Complexities for Embodied Experience _by Caroline A. Jones

Cinema Thinking Affect:The Hustler¹s Soft Magic by_par Todd Meyers + Richard Baxstrom

The Limits of the Specular: Some Notes on the Work of Pascal Grandmaison by_ Stefan Jovanovic

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TRANSGENISM///////TAIWAN


FLUORESCENT PIGS:::National Taiwan University's Department of Animal Science and Technology





Courtesy BBC News.


Into Normal pigs embryo the Researchers of the National Taiwan University's Department of Animal Science and Technology have added material as DNA of jellyfish to create transgenic pigs that glow in the dark.
They have been created to be used to study human disease and also for biopsy and invasive test.


Remmenber :
In Le Lieu Unique, Nantes, France, from March 14 to May 4, 2003, the artist Eduardo Kac created Le Lapin Unique (from the "GFP Bunny" series), a public installation with a green fluorescent rabbit.
'Katz' work on Hybridation.You can also order the 2 publications Move 36 and Telepresence & BioArt on the work of Eduardo Kac.






AND ALSO : a CYCLOPE
Source Associated Press :







Cy, short for Cyclopes, a kitten born with only one eye and no nose, is shown in this photo provided by its owner in Redmond, Oregon, on Wednesday, Dec. 28, 2005. The kitten, a ragdoll breed, which died after living for one day, was one of two in the litter. Its sibling was born normal and healthy. (AP Photo/Traci Allen)



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NEXT SKIN//////PARIS


POST HUMAN:::::::::::::SKINBAG








Olivier GOULET is an artist based in Paris and has developped a work on Post Human Conditions, Mutations, New Territories, Organic & Digital relations and he has created the Skinbag collection in 2002.
Skinbag is dedicated to organic objects realized in latex and proposes a kind of new taxinomy of Linne.


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NEW MEDIAS:::::::::::LEKTROLAB



LEKTROLAB LIMITED : DE-MYSTIFYING CONTEMPORARY CULTURE

LEKTROLAB is a Media Art Company organized as a platform run by Emma Davidson and Paul B. Davis and based in London.

'We are successful in creating a progressive and non-critical learning environment and reverse negative gender stereotypes within our workshops often associated with electronic and audio arts.'


INFORMATION MESSAGE SENT BY rHIZOME.org :

> The Britain-based media arts collective, Lektrolab, is best known for> teaching how-to workshops on hacking Nintendo cartridges and manipulating> outmoded home electronics. So it's no surprise that their new project,> Microtel, also involves breathing life into dying living room technology--in> this case, the neglected aesthetic of teletext. The system was invented in> England, in the 1970s, to stream text and graphics to analog television sets.> Its vivid cathode colors and signature clunky graphics became the visual> language of up-to-the-minute news bulletins and awkward advertisements before> being replaced by newer text displays. Coming to the medium's rescue,> Lektrolab recently posted an open call for teletext art on their website.> They are compiling the submissions and, beginning January 26th, broadcasting> them on Netherlands public television in conjunction with Rotterdam's 35th> International Film Festival. The Microtel website has images of the> submissions that have co!> me in, thus far, and everything one needs to participate, including the> software to make a teletext masterpiece. - Bill Hanley

MIcROTEL : http://projects.lektrolab.com/microtel/





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EXHIBITION/////MILANO



TRIENNALE DI MILANO::::::::::::::MOLLINO FRAGMENTS

UNTIL JANUARY 22 006















The Exhibition Mollino Fragments is curated by Cecilia Bolognesi and Maurizio Navone and take place at the Triennale di Milano.
The exhibition is organized in 5 containers and presents different topics as fragments of the work of Mollino such as its photographic work with erotic polaroids, its architectural work, its experiment in design, etc.
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COLLABORATIVE PLATFORM//////DEHLI



SARAI:::::::::[se-rai, saray, sho-rai] n. (Hindi, Undu, Punjabi, Bengali, Turkish), An enclosed Space.









Sarai is a collaborative Platform based in Dehli as a space of Research on the city, Urban development, New Medias stand at the intersection of art, technology and digital creativity.
For all those which are interested by 'Digital India', Sarai is probably one of the best ressource and experiment.
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SUBSCRIPTION//////BERLIN



PALASTES DER REPUBLIK !








IF YOU WISH TO SUPPORT THE DEVELOPMENT OF THE PALASTES DER REPUBLIK YOU CAN MAKE A DONATION.

TXT VIA KW Institute for Contemporary Art :

liebe Freunde des Palastes der Republik,
Anfang des Jahres 2006 wird in mindestens einer überregionalen Tageszeitung eine großformatige Annonce (nach Möglichkeit 1/2 Seite) mit dem Titel DER PALAST IST DIE ZUKUNFT erscheinen. Im Übergang in eine WISSENsgesellschaft stellt der entkernte ehemalige Palast der Republik in Berlin eine Möglichkeit zur SYNTHESE von Kunst, Wissenschaft, Kultur und politischer Bildung dar. Der anstehende Abriss ist weder inhaltlich noch ökonomisch zu vertreten, da weder die weitere Planung finanziell gesichert ist, noch über die zukünftige Nutzung des brachfallenden Areals eine endgültige Entscheidung getroffen wurde.
Unterstützen Sie die AUFKLÄRUNG der Öffentlichkeit über den Unsinn des geplanten Abrisses des Palastes der Republik!
_ab mind. 5 Euro als UnterstützerIn dieser Aktion.
_ab 30 Euro mit der Veröffentlichung Ihres Namens. [ermäßigter Preis (Studierende, Rentner) ab 20 Euro]
_ab 100 Euro für Spender, Unterstützer und Institutionen mit Veröffentlichung.
Um auf die Problematik medienwirksam aufmerksam machen zu können, sind wir auf Ihre Spende angewiesen.
Für Ihre T E I L N A H M E senden Sie eine eMail an:
aktion@sophiensaele.com
oder senden Sie ein FAX +49-(0)-30 283 52 67 Bitte ü b e r w e i s e n S i e für die Veröffentlichung [ am 7.1.06 - FAZ] b i s z u m 4 . 0 1 . 2 0 0 6 : Zwischenpalastnutzung e.V. (gemeinnütziger Verein; Spendenquittung möglich) Zweck: "ANNONCE" und "(Titel) Vorname Name" Kto-Nummer: 0632000 BLZ: 100 700 24 Deutsche Bank Berlin IBAN DE59100700240063200000 BIC / SWIFT-Code DEUTDEDBBER
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EVENT///////BERLIN



TRANSMEDIALE.06:::::::::FESTIVAL FOR ART & DIGITAL MEDIA








The festival will take place this year at the Berlin Art Academy from February 03 006 to March 19 006.
The Theme is REALITY ADDICT.
Transmediale is new technologies & culture orientated and it's both a Forum and an Exhibition.
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EXHIBITION/////JERUSALEM

THE ISRAEL MUSEUM JERUSALEM:::::DESIGN FOR THOUGHT

UNTIL 31 January 006


Ippei Matsumoto, Life Counter, Prototype.
Sound Gum, a USB MP3 Player.


The exhibition at the Israel Museum Jerusalem focused on Design in Britain and is organized in 4 Parts : Found_Made_Thought and POPNOIR [curated by Anthony Dunne & Fiona Raby].
Design for Thought propose a very inresting point of view on young Designers, on prospective and critical Design to the Future of Industrial Design.
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WATCH THE MOVIES////////ACTE-GRATUIT



WEBSITE:::::::::http://www.acte-gratuit.net/








Acte-Gratuit is a French website dedicated to experimental movies and Film critics where you can download & watch some films of Stan Brakhage, but also a video on the cut-up with William S. Burroughs, also films from the Theorecian of the Situationism Guy Debord and Isidor Isou, etc.

Thanks to philip to recall us about Acte-Gratuit.
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FUTURE EXHIBITION////NY



COOPER HEWITT National Design Museum::::::::::NEW DESIGN FROM ISRAEL


January 27 _ April 23 006



Courtesy Pini Leibovich
Courtesy Ayala Serfaty




Redirect TXT From Cooper-Hewitt site

Presented by Cooper-Hewitt, National Design Museum in New York City, Solos: New Design from Israel is an exhibition of work by nineteen Israeli designers who are exploring the sculptural, material, functional, and conceptual possibilities of useful things. Each object selected for the exhibition—from a table or chair to a lamp or vase—conveys a powerful physical presence as well as a spirit of speculation and introspection.
The first museum exhibition of contemporary Israeli design in the U.S., New Design from Israel includes approximately 25 works, including prototypes, experimental objects, and production pieces. Multimedia projections illuminate the broader context of Israeli life and design practice. All designers featured in the exhibition live and work in Israel, including Eilon Armon, Gad Charny, Chanan de Lange, Ami Drach and Dov Ganchrow, Tal Gur, Safi Hefetz, Yaacov Kaufman, Pini Leibovich, Raviv Lifshitz, Alon Meron, Willy Mizrachi, Ayala Serfaty, Nati Shamia-Opher, Sharon Shechter, Yuval Tal, Asaaf Warshavsky, and Zivia.
Solos: New Design from Israel is made possible by Connie and Harvey Krueger, Barbara and Morton Mandel, and Isaac Kaye. Additional support is provided by Dr. Marcella Brenner and The Polonsky Foundation.The exhibition is organized by guest curator Ezri Tarazi, Head of the Industrial Design Graduate Program at Bezalel Academy for Art and Design, Jerusalem; and Ellen Lupton, Curator of Contemporary Design at


ADDRESS :
Cooper-Hewitt, National Design Museum.
Cooper-Hewitt, National Design Museum2
East 91st Street
New York, NY 10128
www.cooperhewitt.org


READ THE ARTICLE of Gal Karniel in Haaretz
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